VFX

Battlestar Galactica Blood Chrome

Battlestar Galactica Blood Chrome

Battlestar Galactica fans are ready to rejoice. A new and much-anticipated two-hour event returns eager viewers to the epic battle between Cylon forces and the 12 colonies. Battlestar Galactica: Blood & Chrome, a new science-fiction drama originally scheduled to air on SyFy early 2013, falls on the timeline between Caprica and Battlestar Galactica, in the … Continued

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    The Amazing Spider Man

    The Amazing Spider Man

    In this re-emergence of the Spider-Man franchise, there were some tremendous collaborations with the new director, Marvel and the crew at Imageworks, Pixomondo and the 15 other vendors. Each of the principals was a long term fan of the franchise and the results show dedication to the brand. Find usefull? Help it to grow Tweet

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      Prometheus

      Prometheus

      Rising Sun Pictures (RSP) in Adelaide Australia bid and won 160 shots in Ridley Scott’s Prometheus. The location shoot was well and truly over by the time RSP came onboard but as they found out, there was a major amount of work still to be done, working directly with Richard Stammers and all the other … Continued

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        Snow White and The Hunter

        Snow White and The Hunter

        Everybody is familiar, I think, with the fable of Snow White and The Seven Dwarves. The Wicked Witch, the apple, the prince. When the fairy tales becomes modified to bring in morphing mirrors, trolls and the creepiest black forest I’ve ever seen, a huge amount of VFX talent is called upon. Turning to The Mill, … Continued

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          Dark Shadows

          Dark Shadows

          If you were a fan of the original Dark Shadows TV soap opera from the late 1960’s, you were probably smacking your bloody lips over news of the film, especially one staring Johnny Depp and directed by Tim Burton. Who else could take such a wicked little tale and make it better? For starters, MPC … Continued

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            John Carter Movie Review

            What does it take to create a planet? A lot more effort than can fit in a seven day week. Ask the hundreds of artists at Cinesite who spent two years creating Martian environments, cities and airships for Disney’s film John Carter, or the 120 animators plus several hundred in the supporting cast at Double … Continued

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              HUGO

              Pixomondo has completed over 800 shots as the primary visual effects vendor on Martin Scorsese’s 3D epic adventure, Hugo. Independently produced by GK Films and distributed in the U.S. by Paramount Pictures, the film features shots contributed by ten of Pixomondo’s eleven facilities across Germany, the US, Canada, China and the UK. Pixomondo’s 24/7 global … Continued

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